Minicon and Convergence

Most of the time on this blog I’m discussing politics or the craft of writing; I rarely have anything to say about Science Fiction fandom. But that doesn’t mean I’m not involved; I was a fan (in the “active in fandom” sense) before I was a writer, and still think of myself as very much a part of the tribe. Note that phrase, because we’ll be coming back to it.

I just got back from a wonderful time at Convergence. But an odd thing happened. As an indirect result of a complex series of events, I’ve begun to suspect I’m in a very small minority; a position I’m used to in political discussions, but not about fannish things. Here’s the short version: apparently, there is a perception of mutual hostility between elements of the convention committees of the two main regional SF conventions here, Minicon and Convergence. And it seems I’m one of very few who are both involved in the conflict and oblivious to it.

It is difficult not to assume an attitude of superiority here; the temptation is to be supercilious both on the level of, “I have more important things to be concerned about,” and, “you are all being juvenile about this.” It is tempting to be that way, but not fair. This is stuff that matters very much to a lot of people I care about. And the reason it matters to them–to us–is at the heart of the conflict. That is, it is about tribe.

Everyone involved will, no doubt, see and remember it all differently, but, as brief as I can make it, here is how it seems to me: Years ago, Minicon was a gathering of the tribes, as it were: what we think of as hard-core SF fans, plus all sorts of related (or sometimes unrelated except in the “outsider” sense) other groups coming together. It grew and grew, and pulled in people some of us, including me, didn’t like, and couldn’t feel comfortable around. The final straw for me was when a long-time fan with a major disability was rudely told to get out of the way at the consuite bar, and the word “crip” was used. And I said, “Why am I putting on a convention for these people? I put on this convention precisely so, for one weekend of the year, I can get away from people like that.”

I was part of the group that favored making Minicon drastically smaller, and that then implemented it. Whether we did it well or badly, what mistakes we did or didn’t make, isn’t the point here. What we were doing, quite consciously, was saying, “We no longer want to put together a gathering of the tribes; now we want to gather with our own tribe.” But–this is important–we knew then that there were others who wanted the big gathering, and we thought that was a good thing. I remember conversations about how we could and would encourage and help (financially, with accumulated knowledge, with loans of equipment) any other convention that wanted to pick up where Minicon left off. And to me, that is just what happened, and I’ve always been pleased about that. Like, it worked. Now there is Minicon, where I can feel safe and relaxed; and also Convergence, where I can have the old sense of exhilaration and excitement. When I walk into a Minicon, I can feel tension leave my shoulders. When I walk into a Convergence, I can feel myself smiling. At Minicon I’m safe and secure with my family; at Convergence I’m in a happy whirlwind of activity.

That someone might feel bored at one or uncomfortable at the other seems entirely reasonable, and no more worth hard feelings than whether one prefers Lord of Light or Nine Princes in Amber. I was surprised and disappointed to learn that I am supposed to pick sides, or, worse, that there are people who thought I had.

In the grand scheme of things, sure, none of this is terribly important. But then, I don’t usually live in the grand scheme of things, I live in the small scheme of things. And twice a year, I have the pleasure of attending conventions that, each in its own way, make my world better. Why shouldn’t this be enough?

Hair: An Old Family Story

My friend Chaos on Twitter just told a story that reminded me of this tale from my youth.

Disclaimer: If my uncle Bob or my cousin Scott should happen to see this, please do not mess this story up with the facts. This is a Family Story, which means that, if it deviates from what actually happened, so what? Unless, of course, the truth is even better.

There are a few bits of background you need to know: First, it is impossible to describe the degree of idiotic passion (on all sides) caused in the ’60s by how long a boy’s hair was. Seriously. Being told that so-and-so was suspended because his hair was below his collar didn’t rate a raised eyebrow. Second, you must understand that, while my family was all the way over on the Left, my uncle Bob, though never a conservative, was hardly a leftist. Indeed, he was the owner of a home-building company, lived in Mendota Heights, and was the proverbial “pillar of the community.” At least, that’s how we Brusts always viewed him (though, to be sure, there was a high degree of respect and a fierce and lasting affection between him and his sister, my mother, that continues between our families to this day).

So, as the story came to us, my cousin Scott–Bob’s oldest–was sent home from school because his sideburns were too long, and Bob was asked to come in and see the principal. Well, Bob delayed meeting him for a day, then another, then another, until, when he finally came in, this conservative, well-dressed, well-to-do pillar of the community had grown his sideburns down to his jawline. At which time he walked into the principal’s office, smiled at the poor befuddled man, and sweetly inquired as to what the problem was with his son?

We always adored uncle Bob.

Post-script: Today, Scott is a public defender in East Armpit Missouri, helping those who need it most desperately, and also donates his time to helping the inmates at Guantanamo. If you raise ’em right…

Incrementalists song lyrics–not by me

So, yeah, the following just showed up in my inbox–a set of lyrics by songwriter Mark Simos based on The Incrementalists by Skyler White and me. I am, let us say, geeked.

 

The Incrementalist

By Mark Simos

I was never good at good
I always believed in better
I somehow understood
The spirit lives in the letter
If there are devils in the details
There are angels dancing too
There in the tiny circle
Of the work that is given us to do

Oh I dread each morning’s news
Of our latest stupid cock-up
Sometimes this unholy world
Seems but a prototype or mockup
Yet the deepest of my blues
In their bitter azure measure
Hold some seed of mercy furled
Never rendered unto Caesar

Grand solutions I suspect
I’m a cautious incrementalist
Reciter of Confucian analect
And if I could just invent a list
Of all the tragic endings I would change
Pursuing sources and not side-effects
You know, it’s funny—funny strange—
But I’m not quite sure what I’d do next

And so I take things day by day
Asking only—is it better thus?
And thereby I avoid the ricochet
Of hope’s more ambitious blunderbuss
For it’s when we reach too far
And let the drama get the best of us
That we lose where and who we are
Still the stars have not yet seen the last of us

©2014 Mark Simos/Devachan Music (BMI)

Mark is a professor in the Songwriting department at Berklee College of Music, and a songwriter who’s had more than a hundred cuts with artists including Alison Krauss and Union Station, the Del McCoury Band, Ricky Skaggs, Doyle Lawson and Quicksilver, the Infamous Stringdusters, and Australian rocker Jimmy Barnes among others. He’s also an avid reader of SF, with a particular interest in time travel.

This song lyric was inspired by a “song seed” he found in the book: “I’ve never been good at good…” He writes: “One thing I loved in The Incrementalists was the notion that a secret society of semi-immortals might do their work with small, minor tweaks rather than big interventions. I tried to capture a bit of that spirit and outlook in the lyric.” Mark details the techniques of song seed catching in his new book with Berklee Press/Hal Leonard, Songwriting Strategies: A 360º Approach.

You can follow Mark’s musings on songwriting at his blog:
http://songwriterscompass.wordpress.com/

Assassination WAS Magic

Well, CafePress has seen fit to remove the My Little Jhereg products. They apologize for any inconvenience their actions have caused. I sent in a support ticket wondering what could possibly have spurred such an action, and apparently there is a cartoon of some sort whose logo is similar to the My Little Jhereg logo.

So that’s that. I hope that at least most people who wanted a shirt or mug or whatever got one. They’re limited edition collectors’ items now!

The rest of the store is still there, and the Incrementalists storefront.

In other news, our friend Chris has pointed out the awesome fandom teas available at Adagio. If you like tea, and you think you’d be likely to purchase a Dragaeran tea, you could use this voting mechanism to encourage them to blend some! The tea there is tasty.